National Razor: Naked Before God and Country

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The magic of these intense songs is in their contradictions: abrasively melodic, visionary but destructive, callused yet vulnerable. Raw, live-to-two-track unpasteurized analog, the band’s sound rips without an ounce of delicacy. Their shredding guitars, throbbing bass, and the piledriver drums literally rattled the floorboards Mapleshade's studio.
Part Number: 11502
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The magic of these intense songs is in their contradictions: abrasively melodic, visionary but destructive, callused yet vulnerable. Driving home these contrasts without a shred of artifice, singer Erik Sunday’s raw voice morphs naturally from a gravelly croon to a barroom shout. I love his in-your-face lyrics: socially incisive, politically corrosive, leavened with tongue-in-cheek wit. Raw, live-to-two-track unpasteurized analog, the band’s sound rips without an ounce of delicacy. Their shredding guitars, throbbing bass, and the piledriver drums literally rattled the floorboards in Mapleshade's studio. 

 

Track Listing

1. Depression -Listen to Sample

2. 123 Let's Go

3. Policies

4. Avoiding You

5. Self-Defenseless

6. TV Song -Listen to Sample

7. Duped

8. Do You Want To Get High Tonight

9. Tear Me Down -Listen to Full Song

10. Fool Or Fucking Creep

11. Teenage Truce

12. Dead Heroes

13. Out Of Control

14. Fortune Tellers

15. Car Wreck

 

REVIEW by Blues Review

I'm excited that the relatively esoteric worlds of high-end audio recording and blues are meeting and getting along so well...you can enjoy the efforts of some of the "audiophile purist" releases that are starting to show up in the blues world. They sound beautiful and real on all but the cheapest boom-box or car stereo. One album that particularly impressed me recently is Mojo (Wildchild!/Mapleshade 02352) by Big Joe Maher and Jeff Sarli and Big Blue, a powerful performance recorded with stunning clarity and space. It's a feast for the soul, and candy for the ears. -from the column Steady Rollin' by Bob Margolin

 

REVIEW by Stereophile

Mojo is such a cool disc, I can't stand it. Big Joe, a drummer and singer, and Jeff Sarli, a swingin' string-bass player, have put together a band that's equal parts barrel-house jump-band and smooth swing band. The result will get you up off your butt „ if you've still got a pulse, that is. And bottom? Man, does this disc got bottom! Drive and air „ you can hear the walls bulging as they try to contain this big, big sound „ with a fat-back bottom. Did I mention that? This one may not grow hair (didn't on me anyway), but it'll definitely trim 10 years off your age. -from QuarterNotes by Wes Phillips

 

REVIEW by The Washington Post

WHADAYA KNOW? Big Joe in slo-mo. Big Joe Maher, that is. On his new release, Mojo, the area drummer best known for leading the Dynaflows and shouting out electric blues and jump tunes takes a decidedly more relaxed view of the blues. Listening to the opening (and title) track for a few seconds is all it takes to confirm that this session's atmosphere and pacing has more to do with Percy Mayfield's laconic balladry than Big Joe Turner's barroom barking.

As it turns out, songs by both Mayfield and Turner are on the album, along with tunes by Charlie Rich, Ray Charles and Floyd Dixon, and in each case Maher handles them in an easy, soulful stride. T-Bone Walker's riff-based Ponytail and the Duke Ellington sax-and-organ-powered instrumental Wings 'N Things help enliven things, but some of the album's best moments come when the mood is mellow, the music spare and Maher is quietly tending to his battered heart on Rich's Who Will The Next Fool Be? and Walker's In The Dark.

Bassist and producer Jeff Sarli is responsible for the album's uncluttered, understated charm. (Maher's longtime rhythm section partner Sarli conceived the project and enjoys costar status.) Sarli has assembled a strong cast that includes keyboardists Bob WilloughbyandPhil Stancil, guitarist Rusty Bogard and saxophonists Chris Watling and Jerry Queene. -Mike Joyce

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